Gilder

A lady ſhould, indeed, ſtudie her face, when wee thinke ſhee ſleepes: nor, when the dores are ſhut, ſhould men bee inquiring, all is ſacred within, then. [...] you ſee guilders will not worke, but inclos'd. They muſt not diſcouer, how little ſerues, with the helpe of art, to adorne a great deale.

The leather gilders lay a Couch of water and whites of eggs on the leather, before they apply the leaf gold or ſilver.

Gilding in oil, or oily ſize, is uſed for domes, roofs of churches, ſtatues that are to ſtand in the weather, &c. For this purpoſe the Engliſh gilders generally adopt a gold ſize, made of yellow oker ground fine with water, and dried on a chalk ſtone, then ground up with a proper quantity of drying oil, to give it the ſtiffneſs required.

He was a painter and gilder. [...] Now could the poor gilder no longer get paid by his employers.

A carriage, for example, was formerly the product of the labour of a great number of independent artificers, such as wheelwrights, harness-makers, tailors, locksmiths, upholsterers, turners, fringe-makers, glaziers, painters, polishers, gilders, &c. [...] [I]f a number of carriages are being made simultaneously, some may be in the hands of the gilders while others are going through an earlier process.

Charles Shaw was born in Tunstall, in the Potteries, in 1832, the son of a skilled painter and gilder in the pottery trade who lost this well-paid job through victimization after a strike.

On the Costa, a street full of gilders, carpenters, carvers, and stucco experts, their status as Inglesi—bourgeois as well as fine artists—set them apart.

Indeed, economic resource, previously assigned to physical ornamentation, the gold of the gilder, is here plowed into the control right down to the last half-millimeter.