Misogynoir

My reorientation to the misogynoir ruling the radio took place when I tried to make the argument that “All the Way Turnt Up” was a great song because it didn’t objectify women. This was something I could get behind; a song simply extolling the youthful value of keeping the bass bumping in your vehicle. That was until I read the lyrics and found the choice lyric “three dike bitches, and they all wanna swallow.”

Hip-hop feminist studies continues to tackle black sexual politics by discussing and challenging the persistence and prevalence of hip-hop "misogynoir" (the hatred of black women and girls), respectability politics, and compulsory heterosexuality within the music and the culture at large.

Unfortunately, the idealization of white women is most often paired with the condemnation of black women, creating the intersectional problem of misogynoir: the combined racism and sexism black women face.

Drawing upon a history in which racism, heteropatriarchy, and inter-racial gender ideology rendered Black women invisible and marginalized, Pough compels Black feminists attempting to reject hip-hop feminism to revisit the historical record of Black women pushing back against Black male sexism and misogynoir in Black political, cultural, and social spaces.

[A] Black woman as the arbiter of racialized sexism against a young Black girl is an example of misogynoir.

To me, his words seemed a form of “misogynoir” – discrimination prejudice, and violence aimed specifically at women of colour.