Shoegaze

Historically, it is filed by music critics under the shoegaze genre. I suppose this is because the band used a lot of the same guitar tones as shoegaze outfits from the same time, but it was really a bit too psychedelic to fit the genre.

Most of the releases from the Boo Radleys during their shoegaze phase feature just such a baroque, as do Killing Time by Bleach (1992; with a prawn) and ... x, y and z by Moose (1992; with a sunflower).[…]In the same way that the image of the sheep is common for EDM releases at this time, the cat comes to typify shoegaze.

The shoegaze influence in the early Oasis sound is just as pronounced as the debt to the grunge of Nevermind. Although they were viewed as something of an anomaly within the shoegaze label Creation, Oasis were nevertheless a neo-psychedelic rock band with a taste for distorted guitars and classic sixties pop, so in fact they fitted in pretty well with the Creation house style.

Ever the pedestrian, Jason shoegazes to the side of his rhythm section, his body limp against a guitar and greased locks flowing down over his arched brow.